Noté /5. Ron Taylor diving with an oceanic whitetip shark, Carcharhinus longimanus (© Ron and Valerie Taylor) Other large sharks can also be considered possibly dangerous, mostly because of their size. Today, baiting is condemned, at least by documentary film-makers, for altering wild animals’ behaviour – though both Taylor and Doubilet say it is still common (not to mention a cornerstone of tourism operations). Legendary shark expert Valerie Taylor hand feeds a great white shark! The film introduces Ron and Val Taylor diving and filming sharks. Latest attack: Surfer tells of terrifying body-slam. ‘My arm is a bit shortened because they focused on my leg, but polio can come back in your 60s. She completed a dive in Papua New Guinea earlier in 2020 and plans to do more when international travel re-opens after coronavirus. ‘They asked us if we thought it would make a good movie, and we both read it and said “yeah, we think it will”,’ she recalled. Cousteau once told a story about working with Luis Marden, a pioneering National Geographic photographer, in the Red Sea in the mid-1950s. “You would be lucky to see a shark without bait,” says Taylor. Baiting to attract sharks in Blue Water, White Death. A scene where they film hundreds of oceanic whitetips feeding on a whale carcass – outside of a dive cage, for the first time ever – is especially hair-raising. Sharks proved the moneymaker of the pair’s nascent business, with networks taking any footage they could get – especially if the animals appeared dangerous. ‘These days I have to do it in the warm waters of places like Indonesia,’ she said. She can now only dive in warm water because she has arthritis. The majority of the world’s oceans, after all, are without light – meaning that the next frontier of underwater photography is how to capture images through ultrasound or sonar, says Doubilet. Vous avez toujours été un rêveur. Valerie and Ron helped make the shark, Actors Richard Dreyfuss (left) and Robert Shaw in the back of their boat as they watch the giant Great White shark emerge from the water in a still from the film Jaws. Even wearing chainmail and baited, it was “hard as hell to get the shark to bite”, says Cove, though “everything worked out great” eventually. A year later, Valerie returned and the same shark approached her and swam over the coral. Photograph: Ron & Valerie Taylor. Do you consider yourself a risk-taker or a thrill-seeker, because they’re not the same.»VALERIE: I like adventure very much. The scene to be shot with the real sharks involved the killer shark in the film attacking the cage Hooper (Richard Dreyfus) was in. ‘All fish have a certain amount of intelligence – school of fish and flocks of birds are the same – they talk to each other,’ she said. The threats they face include finning ( in which their fins are sliced off before they are thrown back into the water), warming seas, and being killed as bycatch in huge fishing operations. Three years later in 1966, Ron captured the first ever film of a great white shark. “All the action could be happening, and he couldn’t do a thing because he had to rewind the camera,” says Valerie. It traded on the danger and excitement of divers getting close to sharks.”. Achetez neuf ou d'occasion The contribution of shark tourism to the Bahamas’ economy, an estimated $800m over the past 20 years, was instrumental to the prohibition, in 2011, of commercial fishing of more than 40 shark species in Bahamian waters. (Ron died from leukaemia in 2012, aged 78.). “If you believe the media, all sharks are killers – and in the early days, we did,” says Taylor. He invented the Shark Cage (inspired by a visit to the Adelaide Zoo) and along with camera team, Ron and Valerie Taylor, was the first to capture underwater footage of a Great White. It is a great white shark, portrayed by the animatronic Bruce. Shark attack. But these apex predators are now in grave danger. He managed to grab the cage before he lost consciousness. Valerie and Ron travelled the world looking for dangerous marine creatures. She survived polio at 12 while in a hospital where babies came in crying before leaving in deadly silence wrapped in white blankets. Valerie began gripping on to walking frames at first, but after nine weeks of agonising work, she walked out of the hospital. The next frontier of underwater photography is shooting without light, says Doubilet. On 8 December 1963, ... (which he was one of the consultants for along with Ron and Valerie Taylor), giant and ancient fossil shark teeth, plus photos and video highlights from many films that he has been involved in. Sharks view of a board rider (© Ron and Valerie Taylor). After bumping countless sharks to survive, the creatures accepted the divers as part of a pack of other marine animals that had joined to feed on the dead whales. Valerie was born on Crown Street in Sydney’s inner city in 1935 before moving to Wellington, New Zealand, where her family lived while her father ran a battery factory. But sharks were so little studied at the time that even their early work, shot exclusively for entertainment, informed scientific understanding. The poster for Blue Water, White Death showed Ron’s shot of the great white rearing towards the camera under the banner: MAN-EATER. ‘Underwater filming was a great adventure we were the first to do it – it was a discovery.’. 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